Writer and instructor Matthew Salesses said, “The best ‘advice’ I’ve ever heard on revision was from the wonderful teacher and writer Margot Livesey. It was something like this: if you are bored, it’s not because you’ve read that section so many times, it’s because it’s boring.” Welp. I suppose it’s best to leave our delusions…
If you want to snag the attention of an agent, your book’s concept needs to be irresistible. But what’s going to buoy your book up above the other great concepts in the submission pile is the quality of your writing. And I don’t just mean polished writing. I mean writing that is unique and captivating….
Real quick, before I get into strategies for writing a prologue, I want to address the whole prologue thing. Basically, agents like them or hate them. Readers love them or skip them. People have strong feelings about prologues and you should be aware of the general discussion before you publish a book with one or…
The first line of your memoir (or essay or novel) might come to you early on, fully formed. Or it might be a line you compose late in your drafting cycles. Either way, at some point you’ll have to evaluate it for the work it’s doing. Your opening sentence is a tone-setter, and you want…
The single resource I’ve used the most in my writing classes might be Brevity: A Journal of Concise Literary Nonfiction. The site is jam-packed with short nonfiction pieces and craft essays that are quick to read as well as fun, moving, and instructional. Editor-in-chief Dinty W. Moore is someone you might want to follow on…