Here’s what happens to me all the time—I’ll be writing a scene and I need a character to enter the room, or I want two acquaintances to take their seats at a café, or I want to start a new chapter with a strong sense of atmosphere, etc., and I freeze up. I’ll have no…
I worked on a literary magazine for a good number of years and I learned a lot about what makes for good printed content. I also learned a lot about why even good writing gets rejected. It’s hard for us to see the flaws and problems in our own work—it’s hard for me and it’s…
Writer and instructor Matthew Salesses said, “The best ‘advice’ I’ve ever heard on revision was from the wonderful teacher and writer Margot Livesey. It was something like this: if you are bored, it’s not because you’ve read that section so many times, it’s because it’s boring.” Welp. I suppose it’s best to leave our delusions…
If you want to snag the attention of an agent, your book’s concept needs to be irresistible. But what’s going to buoy your book up above the other great concepts in the submission pile is the quality of your writing. And I don’t just mean polished writing. I mean writing that is unique and captivating….
Real quick, before I get into strategies for writing a prologue, I want to address the whole prologue thing. Basically, agents like them or hate them. Readers love them or skip them. People have strong feelings about prologues and you should be aware of the general discussion before you publish a book with one or…